Noah Berlatsky

Noah Berlatsky

Bio

Noah Berlatsky is a contributing writer for The Atlantic. He edits the online comics-and-culture website The Hooded Utilitarian and is the author of the forthcoming book Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948.

Noah Berlatsky Articles

Andre Cymnone

Why Is Everyone So Scared Of Rock Music's Mixed-Race Roots?

The founder of the brilliant fyeahblackrockmusic Tumblr talks racial politics, Kelis, and . . . the Doobie Brothers?

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From Etta To Brandy: 12 Undervalued Black Women Of Rock 

Genre boundaries are conscious of race—and, in the case of rock, conscious of gender too.

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Credit: Thinkstock

Should We Really Do Away With Gender?

It's not the gender that's the problem: It's the oppression.

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Why The Cover For Marvel's New All-Female Avengers Comic Is A Huge Disappointment

The cover for A-Force is a combination of tired trope and deodorant ad. Female empowerment can do so much better.

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Image: LargeFears.com

Large Fears: The Importance Of Marginalized Children Being Represented In Literature

Iin a passionate Facebook thread last week, children's author Meg Rosoff rejected the idea that there are "too few books for marginalized young people," as librarian Edith Edi Campbell had suggested.

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Credit: Flickr/U.S. Embassy New Delhi

All Hail The Great Women Of Gospel

The loss of gospel history has meant forgetting how important black women have been to American performance styles.

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GQ Covers Reveal How Women And Men Are Sexually Objectified—But In Very Different Ways

A new Facebook post calls into question cover depictions of hyper-sexualized men and women.

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The Subversive Gender Message In Mariah Carey's Latest Music Video

Sex and bodies don't clarify gender; they confuse the issue.

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YouTube

The Latent Lesbianism Of Nicki Minaj's "Feeling Myself"

Female masturbation is sexy in part because it flirts with lesbianism. For male masturbation, it's a different story.

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Is All Art Political?

Art without politics actually results in a sweeping Puritanism. For art to have power, it needs to engage with power, with politics.

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